This multi-faceted volume includes a collection of aphorisms, a selection of teachings on Buddhism and the arts, and two collections of late writings. The aphorisms, from the first phase of Sangharakshita's teaching in the West, and first selected for publication in 1979 and 1998, are by turns uncompromising, provocative, witty, self-evident, gnomic and plain common sense, though responses will surely vary from reader to reader, mood to mood. The sequence on the arts sheds light on one of Sangharakshita's most distinctive perspectives on the Dharma, from The Religion of Art, which was one of his earliest works on the subject, to articles and interviews published over many years. Full of poetry and grace, they shine with the author's love of the subject and make a convincing case for the closeness of the relationship between Buddhism and the arts. The late writings cover an astonishingly wide range of themes, from his childhood memories to the lucid reflections of Sangharakshita's old age. Those written in the last weeks of his life include subjects as diverse as Einstein's 3-sphere, the relationship between Buddhism and Islam, and the symbolism of rainbows.

Maitreyabandhu's thematically varied debut collection includes poems of spiritual transcendence as well as meditations on love, memory and sexuality. Sometimes comic, often elegiac, the poems convey the pleasures and terrors of childhood as well as the mystical world of fable. Truthful, tender, and written with a kind of wonderment, the collection culminates in 'Stephen', an extended sequence of poems exploring a clandestine, and finally tragic, relationship between two boys. For Maitreyabandhu - a Buddhist teacher and member of the Triratna Buddhist Order for over twenty years - The Crumb Road is an image for the unreliability of memory, and for the vital thread of human value that connects us to the spiritual world.

This is a book about friendship -- about the Buddhist ideals of spiritual friendship and the author's personal experience. Maitreyabhandhu's account, by turns moving, funny, and inspirational, is as compelling as a good novel. Woven into the tapestry of the many different aspects of friendship, such as openness, communication, fidelity, and altruism, is the colorful thread of Maitreyabandhu's own experiences -- from childhood through to his quest for life's meaning and wholehearted engagement with Buddhism. Writing with a refreshing candor, Maitreyabandhu does not shy away from those crucial and intimate issues that concern us all -- aloneness, sexuality, and falling in love.

Yarn is about the stories we tell. Collected around four dramatic monologues - Hanoi Journal, The Cattle Farmer's Tale, The Travellers from Orissa and Aaron's Brother - Yarn includes an extended sequence of elegies, an account of a Warwickshire childhood and two stories about the Buddha. Ranging from the Holocaust to ancient India, from Kabir to modern Vietnam, using free verse, rhyme, prose poem and blank verse, Buddhist priest Maitreyabandhu's new collection is a vivid and at times disturbing account of the world we live in and the history that shapes us. His first book-length collection, The Crumb Road (Bloodaxe Books, 2013), a Poetry Book Society Recommendation, was widely praised.

Each moment of mindfulness creates the opportunity for greater spaciousness and joy. In "Life with Full Attention," readers will learn to really relish pleasures and turn gently inward in difficult times to gain a more profound depth of experience.

In this eight-week course in developing mindfulness, Maitreyabandhu gently guides readers, teaching them how to draw closer attention to experience, whether taking a shower or eating a meal, watching the rain or a sunset. With each week, he introduces a different aspect of mindfulness--among them awareness of the body, feelings, thoughts, and the environment--and recommends a number of simple practices, from trying out a simple meditation to reading a poem. Featuring personal stories, examples, and tempting suggestions, this book provides both a starting point and a great reference.

Mindfulness is a quality that enhances all experience, whether mundane or extraordinary. By applying this ancient Buddhist wisdom, Maitreyabandhu shows how we can steal back the lost moments of life.

An experienced teacher of mindfulness and meditation, Maitreyabandhu has been practicing Buddhism for over twenty years.

Building on the success of his Life with Full Attention: A Practical Course in Mindfulness, Maitreyabandhu here offers a challenging but profoundly useful work on how to practise Buddhism in everyday life. Drawing on examples from the life of the Buddha, as well as weaving in astute references to poetry and art, Maitreyabandhu gives an easily understood outline of the system of spiritual life as undertaken by Buddhists in the Triratna Community. The journey starts with our own mind, particularly when we begin to look into the truth of things - the truth of the old man on the escalator, the friend in hospital, the coffin we help carry to the graveside. What we find in our guide, the Buddha, is a man with a 'fit' mind: a healthy, happy, non-neurotic, honest-to-goodness mind. To get fit, we need to work on becoming a happy healthy human being. We need to integrate our thinking faculty with our emotions. We need to wake up to thought and tune in to direct experience. And we need to work against the ever-rising tide of trivia, dissipation and overstimulation of the modern world.Maitreyabandhu takes us on this journey with practical week-by-week exercises, focusing on cultivating mindful awareness, being happy, integrating and simplifying our lives, knowing ourselves and truly being ourselves.

After Cezanne is a sequence of fifty-six poems exploring the life and work of the post-impressionist painter Paul Cezanne. Reimagining his friendships with Zola and Pissarro, his impact on Matisse and Picasso, as well as his posthumous reputation, Maitreyabandhu celebrates Cezanne's apples and card players in poems at once tender, urgent and amused. The book includes 26 colour reproductions, a preface by Christopher Lloyd (Surveyor of the Queen's Pictures, 1988-2005) and extensive textual notes. After Cezanne is Maitreyabandhu's third collection.

This multi-faceted volume includes a collection of aphorisms, a selection of teachings on Buddhism and the arts, and two collections of late writings. The aphorisms, from the first phase of Sangharakshita's teaching in the West, and first selected for publication in 1979 and 1998, are by turns uncompromising, provocative, witty, self-evident, gnomic and plain common sense, though responses will surely vary from reader to reader, mood to mood. The sequence on the arts sheds light on one of Sangharakshita's most distinctive perspectives on the Dharma, from The Religion of Art, which was one of his earliest works on the subject, to articles and interviews published over many years. Full of poetry and grace, they shine with the author's love of the subject and make a convincing case for the closeness of the relationship between Buddhism and the arts. The late writings cover an astonishingly wide range of themes, from his childhood memories to the lucid reflections of Sangharakshita's old age. Those written in the last weeks of his life include subjects as diverse as Einstein's 3-sphere, the relationship between Buddhism and Islam, and the symbolism of rainbows.